[6] materials vs content in digitally mediated performance

- Mark Coniglio

The composition of Performance
a) Actor
b) Artist
c) Audience

Why they use the interactive technologies?
Materials drive performance.
The inter play between dancer and system (media-intensive dance performances)

Making Apparition
Immersive kinetic space, frame work for developing material that closely links the interactive system and real time generated visuals and performance.

Sorry, be under construction....

[5] Artistic considerations in the use of motion tracking with live performers: a practical guide

- Robert wechsler
(Practical performer)

Article issue
1. Introduction
a) Audiences are tiring of digital effect
b) Motion Capture is interactive but artistic applications for the use of technology.

Scenario -> not interactive format and traditional play is always same form.
Condition: Limited time and space
Actually real interactive system is not well operating.
According to author, interaction is a feeling you can achieve in a performance setting.

2. Definition of terms
a) Motion tracking -> Motion tracking, Motion capture, Motion Sensing..
b) Real time
c) Interaction

3. Eyecon system
Input – a variety of movement parameters
Output – audio, stage lighting, video, devices

4. Artistic implications
a) Mapping
b) Multi-dimensional mapping
c) The pitfall of position tracking

5. Other relevant issues
6. Intelligibility
7. Conclusion


My Issue

Sorry, be under construction

[4] saira virous: game choreography in multiplayer online performance spaces - Johannes Birringer

Author - Johannes Birringer
Choreographer and artistic director of AlienNation Corporation
Co-founder of a telematic performance collective (ADaPT)

1. Happening
Unique event shaped by the actions of audience in performance

2. Pleasure of telematic art
•the telematic art is the rule-based system
•The playfulness in the rule-based system(telematics)
•the fluidity of meaning which is made by participator telematic art.

3. Telematic art?
Telematic art is a descriptive of art projects using computer mediated telecommunications networks as their medium.

Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic encounters.

[2] Truth-seeker's allowance: digitising artaud - Steve Dixon

Steve Dixon

Professor of Performance and Technology, Theatre, Film, Television, Opera and stand up Comedy.

Practicing multimedia truth-Theatre

Play -> Imagination -> Becoming
Actor -> Performance -> Audience

1. Play
Dramatic illusion is never the illusion of reality
Imaginative illusion & Light

2. Movie
Film
Truthful, complex, real with the falsity, simplicity. & Heavy

Nietzsche
the distinctions between 'appearance' and 'reality' expounded by both Platonism and science constituted a false and hardened 'mythology' of dualisms (reason and irrationalism, heaven and earth, mind and body, sensation and thought), whereas in gis view there was only one world, the world we find around us.

[01] Bodies without Bodies - Susan Melrose

1. Gilles Deleuze
Body
Spinoza offers philosophers a new model: the body
He proposes to establish the body as a model:
"We do not know what the body can do."

2. Why Body?
Zizek
exchaged the BWO with Organs without Bodies.
(BWO: Bodies without Bodies)

3. From 'the Body' to 'a Body'
(Specified thing -> General thing)
Incommensurablity between Word and Concept

4. As a becoming, a body's time
Continous a virtual space-time -> consciousness
+
Discontinous a actual spatio -> temporal structure (experience)
=
these transition -> becoming (opening a transcendenta field)

5. A matter of measure
What is new method of measure in new work?
Module -> Basic measurement

6. the plane of immanence

7. unhinged time in the plane of immanence
visual art, performing art -> Media art history needs

8. other
Becoming = Equipment
Equipment = practical knowledge + its apparatuses

Experience is mixture of memory and perception.

9. conclusion
Economical triggering allows performances to seem to 'do more than they do, and thos 'more than' - entailing a constitutive 'not-yet-here' - gas very clear implications for the digital performance - making economy.

Stony Ground Open

Welcome to my blog!~


"
In case I don't see ya,
Good morning!
Good afternoon!!
Good evening!!!
"