[6] materials vs content in digitally mediated performance

- Mark Coniglio

The composition of Performance
a) Actor
b) Artist
c) Audience

Why they use the interactive technologies?
Materials drive performance.
The inter play between dancer and system (media-intensive dance performances)

Making Apparition
Immersive kinetic space, frame work for developing material that closely links the interactive system and real time generated visuals and performance.

Sorry, be under construction....

[5] Artistic considerations in the use of motion tracking with live performers: a practical guide

- Robert wechsler
(Practical performer)

Article issue
1. Introduction
a) Audiences are tiring of digital effect
b) Motion Capture is interactive but artistic applications for the use of technology.

Scenario -> not interactive format and traditional play is always same form.
Condition: Limited time and space
Actually real interactive system is not well operating.
According to author, interaction is a feeling you can achieve in a performance setting.

2. Definition of terms
a) Motion tracking -> Motion tracking, Motion capture, Motion Sensing..
b) Real time
c) Interaction

3. Eyecon system
Input – a variety of movement parameters
Output – audio, stage lighting, video, devices

4. Artistic implications
a) Mapping
b) Multi-dimensional mapping
c) The pitfall of position tracking

5. Other relevant issues
6. Intelligibility
7. Conclusion


My Issue

Sorry, be under construction